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	<description>Theatre Development and Production</description>
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		<title>Festival Listings</title>
		<link>http://www.scenepool.co.uk/archives/535</link>
		<comments>http://www.scenepool.co.uk/archives/535#comments</comments>
		<pubDate>Sun, 13 Nov 2011 17:53:30 +0000</pubDate>
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				<category><![CDATA[Festivals]]></category>

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		<description><![CDATA[ScenePool8   Upstairs at the Gatehouse, Camden People’s Theatre, The New Diorama 26-31 October 2010 A collaboration with with Creative Producers’ Collective, Camden Council and a consortium of Camden theatres. CPT  26 – 31 October Neck of the Woods                         American Express /The Crack Oyster Eyes                                     His Eyes were like Oysters Regina Fichner                               Social Porn Petar [...]]]></description>
			<content:encoded><![CDATA[<p><strong>ScenePool8</strong></p>
<p><strong> </strong></p>
<p><strong>Upstairs at the Gatehouse, Camden People’s Theatre, The New Diorama</strong></p>
<p><strong>26-31 October 2010</strong></p>
<p>A collaboration with with Creative Producers’ Collective, Camden Council and a consortium of Camden theatres.</p>
<p><strong>CPT  26 – 31 October</strong></p>
<p>Neck of the Woods                         <em>American Express</em> /<em>The Crack</em><br /> Oyster Eyes                                     <em>His Eyes were like Oysters</em></p>
<p>Regina Fichner                               <em>Social Porn</em></p>
<p>Petar Miloshevski<em>                          Hope</em></p>
<p>On the VERGE                               <em>Duetiquette</em><br /> Big Nonsense                                  <em>THIS IS MINE</em></p>
<p>The Stokey Spinners                     <em>Ghostly Tales for Halloween</em><br /> Manuel Lavadera                           <em>Frankenstein</em></p>
<p>&nbsp;</p>
<p><strong>New Diorama Theatre 2 – 7 November</strong></p>
<p>Tormented Casserole                <em>Let Him Have It </em>                     </p>
<p>Fifth Word                                  <em>Exposure</em></p>
<p>&nbsp;</p>
<p>Tearaway Project                       <em>A remedy</em></p>
<p>Neck of the Woods                    <em>American Express</em></p>
<p>Neck of the Woods                   <em>You &amp; Me</em></p>
<p>&nbsp;</p>
<p>TWW Productions                     <em>Making Allowances</em></p>
<p>Get Over It                                <em>Romeo &amp; Juliet</em></p>
<p>Rational Madness                    <em>Text</em></p>
<p>&nbsp;</p>
<p>Crucial Theatre                         <em>Doggerland</em></p>
<p>SHAM                                       <em>Thin Ice</em></p>
<p>Juliane von Sivers                    <em>Junk</em></p>
<p>&nbsp;</p>
<p><strong> </strong></p>
<p>&nbsp;</p>
<p><strong>Upstairs at the Gatehouse 19 – 21 November</strong></p>
<p>ScenePool Productions                                  <em>Little Deaths</em></p>
<p>Filskit Theatre Company                                <em>Snow White</em></p>
<p>Smoking Apples Theatre Company               <em>Seemingly Invisible</em></p>
<p>Metatesta Dance Company<strong>                          </strong><em>Mr Good-Taste’s Widows</em><strong></strong></p>
<p><strong>                                   + </strong><em>The Little Difference words make/Song of Sybil</em></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong>ScenePool 7</strong></p>
<p><strong>The New Diorama London</strong></p>
<p><strong>25 – 30 May  2010</strong></p>
<p><strong> </strong></p>
<p>Filskit Theatre Company                        <em>The Living Canvas</em></p>
<p>Big Odd                                                      <em>A Broken Part</em></p>
<p>&nbsp;</p>
<p>Secret Centre Theatre                            <em>Unrelated</em></p>
<p>Sussurus                                                    <em>Bloody Women</em></p>
<p>&nbsp;</p>
<p>Robert Taylor                                          <em>I am Woof</em></p>
<p>Victoria Kember                                     <em>Where Have All the Ladies Gone</em></p>
<p>&nbsp;</p>
<p>The Silky Pair                                         <em>Shelved</em></p>
<p>The Lab Theatre Collective                  <em>Snatching Threads</em></p>
<p>&nbsp;</p>
<p>Schauplatz Theatre Co                           <em>Known Unto God</em></p>
<p>AlKamie                                                   <em>(No) Living Room</em></p>
<p><em> </em></p>
<p>Festival Open Debate Programme:</p>
<p><strong><em>Counting the Cost : risk and rewards in today’s theatre. </em></strong></p>
<p>Supported by ESRC, Institute for Small Business and Enterprise, Performance Initiative, Camden Council and Brunel University Business School<strong><em> </em></strong></p>
<p>Speakers</p>
<p>Nick Giles         Director Corn Exchange and Newbury Arts</p>
<p>Kerry Irvine       ScenePool</p>
<p>Chris Mellor      Senior Art Development Office Camden Council</p>
<p>Ria Parry           Leverhulme Director in Residence National Theatre Studio</p>
<p>Chair </p>
<p>Barry Edwards  ScenePool</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>ScenePool 6</strong></p>
<p><strong>Camden People’s Theatre London</strong></p>
<p><strong>24 – 29 November 2009</strong></p>
<p>&nbsp;</p>
<p>Secret Centre Theatre                            <em>Unrelated</em></p>
<p>Robert Taylor                                          <em>I am Woof</em></p>
<p>The Silky Pair                                         <em>The Reunion</em></p>
<p>Francesca Miller-Slater                         <em>Let Me Take You By the Hand</em></p>
<p>&nbsp;</p>
<p>Nic Chalmers                                            <em>My Face and the Wall</em></p>
<p>Alan Stanley Taylor                                 <em>Love is  Chemical Reaction</em></p>
<p>Marcus Orlandi                                       <em>Never Better</em></p>
<p>ScenePool Productions                          <em>The Loser</em></p>
<p>&nbsp;</p>
<p>From the Box                                          <em>One Day Like This</em></p>
<p>Big Odd                                                    <em>A Broken Part</em></p>
<p>Maude Laflamme in association with</p>
<p>London Playwrights’ Collective              <em>To Death</em></p>
<p>ScenePool Productions                          <em>After Care</em></p>
<p>&nbsp;</p>
<p>We Were Here                                        <em>Re-Imagining the Mother</em></p>
<p>The Typewriters                                     <em>The Golden Record</em></p>
<p>Orbita                                                        <em>The Stars Below Us</em></p>
<p>Wide Eyes Theatre Collective               <em>We Stand in a Crowd</em></p>
<p>&nbsp;</p>
<p>Thomas John Bacon                               <em>Psychosis</em></p>
<p>Theatre Corsair                                       <em>The Terror of Happiness</em></p>
<p>Sussurus in association with</p>
<p>ScenePool Productions                          <em>Bloody Women</em></p>
<p>Filskit Theatre Company                        <em>The Living Canvas</em></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>ScenePool 5</strong></p>
<p><strong>Camden People’s Theatre London</strong></p>
<p><strong>5 – 10 May 2009</strong></p>
<p><strong><br /> </strong>Digame                                     <em>The Pleasure</em> <em>Project: Ariadne</em></p>
<p>Monica Battaglia                    <em>Crossing Chaos</em> </p>
<p>PartSuspended                       <em>Un-Re Strict-ed</em> <em><br /> </em>Revolving Doors Theatre      <em>he Trial of Medea</em></p>
<p>&nbsp;</p>
<p>Emer O Connor                          <em>Bloody Women</em> <br /> Jeremis Iron Arts Collective   <em>The Failure Project</em></p>
<p>Needless Allies                           <em>Double Exposure</em> <br /> ScenePool Productions            <em>Up Against</em> </p>
<p>Tom Wainwright presents       <em>Pedestrian</em> </p>
<p>Teatre a Quatre Mans               <em>Not to be reproduced</em></p>
<p>Malcolm Whittaker                   <em>The Red Room</em> </p>
<p>Drs and Nurses                          <em>Natural Selection</em></p>
<p>&nbsp;</p>
<p>Lumenis Theatre Company     <em>Clearance</em> </p>
<p>Silversmith                                  <em>(In)Formalities</em> <em><br /> </em>Impetuous Kinship                     <em>three zero</em> </p>
<p>Pit Theatre                                   <em>A Stroke of Genuis</em></p>
<p>&nbsp;</p>
<p>Restless Company                      <em>Monstrous Love</em> <br /> Aaron Paterson                           <em>Havisham</em> </p>
<p>Elizabeth Macias-Gutierrez      <em>A silent case of the female body</em></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong>ScenePool 4</strong></p>
<p><strong>Camden People’s Theatre</strong></p>
<p><strong>3 &#8211; 8 February 2009</strong></p>
<p>&nbsp;</p>
<p>Freathy Tippett                                                              <em>Licence My Roving Hands</em> </p>
<p>Silversmith Dance Theatre                                         <em>(In)Formalities</em><br /> Lindsey Price presents <em>Atlas</em> </p>
<p>The Honourable Society of Faster Craftwomen      <em>Holiday</em></p>
<p>JointPredicament                                                          <em>That’s how the light gets in</em> </p>
<p>Jonathan Brown                                                            <em>Free Beer</em><br /> Aaron Paterson                                                              <em>Havisham</em> </p>
<p>Construct Theatre                                                         <em>Lost/Found?<br /> </em><strong><br /> </strong>Tom Marshman                                                            <em>Soldier Sings the Blues</em> </p>
<p>Richard Staplehurst                                                     <em>Uber</em> <br /> Serenity Theatre Company                                         <em>The Space Between</em></p>
<p>Callow                                                                             <em>The Beige Adventures af Ay and Bee:1</em></p>
<p>Lazuras Theatre Co                                                     <em>The Duchess of Malfi</em></p>
<p>Allan Stanley Taylor                                                    <em>Love Is A Number</em><br /> Plain Breed                                                                    <em>Conceptual Liasons</em> </p>
<p>Secret Centre Theatre                                                <em>The Photojournalist</em>.</p>
<p>Restless Company                                                      <em>Human Alchemy</em> </p>
<p>The Stealth Fantasmic                                               <em>The Ballad of the Skull Fairy</em><br /> Orbita                                                                            <em>At Least it’s Not The End Of The World</em></p>
<p>Pit Theatre                                                                   <em>Comings and Goings</em> <em><br /> </em><strong><br /> </strong>Leap de Lune                                                              <em>The Tale of the Half Moons</em></p>
<p>Thomas John Bacon                                                 <em>Psychosis<br /> </em>Robert Taylor presents                                             <em>I am Woof</em> </p>
<p>Brushwood Theatre Productions                            <em>T.G.I Friday</em> </p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>ScenePool 3</strong></p>
<p><strong>Camden Peoples’ Theatre London</strong></p>
<p><strong>25 – 30 November 2008</strong></p>
<p>&nbsp;</p>
<p>Revolving Doors Theatre                     <em>The Wigmaker’s Apprentice</em></p>
<p>Ova Play                                                 <em>Bag Fear</em></p>
<p>The Ugly Tree                                        <em>If My Heart Were a Camera</em></p>
<p>Alessandra Fel                                      <em>Upside-Down</em></p>
<p>&nbsp;</p>
<p>Syndromus                                              <em>Still</em></p>
<p>Mary’s Room                                         <em>Wild Woods</em></p>
<p>White Knight Theatre Co                     <em>Late Bus</em></p>
<p>Lazarus Theatre Co                               <em>Nine</em></p>
<p>&nbsp;</p>
<p>Manje Theatre                                       <em>Three Nights</em></p>
<p>Lou Cox </p>
<p>in association with Finnybone            <em>Pieces of Me</em></p>
<p>2325 Theatre                                          <em>Little Fish</em></p>
<p>ScenePool Productions                         <em>Toasted</em></p>
<p>&nbsp;</p>
<p>Anthropoid Theatre                               <em>That in There</em></p>
<p>Chloe Dechery                                        <em>After/Before</em></p>
<p>Chameleon’s Dish                                  <em>The Photojournalist</em></p>
<p>Grey Light Productions                         <em>Lovepsoons</em></p>
<p>Lindssey Price /</p>
<p>Francesca Millican-Slater                     <em>Maurice + Jim</em></p>
<p>Maggie Irving                                         <em>BaRoneSS Elsa MeetS MaGGie The  CLOWn</em></p>
<p>Paradox Productions                             <em>A Comical Nightmare</em></p>
<p>&nbsp;</p>
<p>Side Pony Productions                          <em>Devil’s Gulch: A Dastardly Deed</em></p>
<p>Interventure  <em>Echo                                 Variable Bianca</em></p>
<p>Performance Klub Fiskulturnik            <em>Mass Exercise with Nadia and Olga Sokolski</em></p>
<p>Big Odd                                                     <em>The Missing Parts</em></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>eVolve2</strong><strong></strong></p>
<p>Battersea Arts Centre London</p>
<p>11 – 14 June 2008</p>
<p>&nbsp;</p>
<p>In association with Performance Initiative to give theatre graduates from participating University Theatre Departments an opportunity to platform their work professionally. A collection of graduate performances from</p>
<p>&nbsp;</p>
<p>York St John University</p>
<p>Plymouth University</p>
<p>Brunel University</p>
<p>University of Chichester</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Scene Pool 2</strong></p>
<p><strong>Camden People’s Theatre, London</strong></p>
<p><strong>11 – 16 March 2008 </strong></p>
<p>&nbsp;</p>
<p>Snave                                                      <em>The Speed of Dating</em></p>
<p>Seymour Cooper                                  <em>Me &amp; You</em></p>
<p>&nbsp;</p>
<p>Duguid Dance                                      <em>Rose Tinted Petals</em></p>
<p>Overdramatic Theatre                       <em>Useful Knowledge to Know</em></p>
<p>&nbsp;</p>
<p>Channel Swimmer                              <em>Impermanence:</em><em> Using the Under Cling Hand<strong> </strong>Technique</em> <strong></strong></p>
<p>Scrunchy Heart Theatre Co              <em>Little Dagger</em></p>
<p>&nbsp;</p>
<p>CosmoTheatre                                    <em>Other Kind</em></p>
<p>lamb|da <em>Come                                    On Over</em></p>
<p>&nbsp;</p>
<p>Eva Weaver                                         <em>The Bread of Those Years</em></p>
<p>Play Possum                                        <em>Ruling the Board</em></p>
<p>&nbsp;</p>
<p>Shambolic Theatre                            <em>An Imaginative Woman</em></p>
<p>Root Experience                                <em>The Onion Project</em></p>
<p>&nbsp;</p>
<p>Carla Esperanza Tommasini             <em>The Tears of Eros </em></p>
<p>Francesca Millican-Slater                 <em>Those Little Words</em></p>
<p>&nbsp;</p>
<p>Taylan Halici                                        <em>floodlondon</em></p>
<p>Eirini Kartsaki                                    <em>Cock tales and ballards</em></p>
<p>                       </p>
<p>The Dendrites Company                  <em>Atopos</em></p>
<p>Concrete Cow                                     <em>Small Change</em></p>
<p>&nbsp;</p>
<p>Karl’s Imposter                                  <em>The Extra Ordinary Mugging of Mr Winterbottom</em></p>
<p>Kettle of Fish                                       <em>Post-Show</em></p>
<p><strong> </strong></p>
<p>Plastic Spoon                                      <em>My Ivory Tower</em></p>
<p>Lets go Crippling                               <em>Pea-Party</em></p>
<p>&nbsp;</p>
<p>Sarah Liisa Wilkinson                      <em>Hung Up</em></p>
<p>Theatre Unknown                            <em>Shadows</em></p>
<p>&nbsp;</p>
<p>          </p>
<p><strong> </strong></p>
<p><strong>ScenePool 1</strong></p>
<p><strong>Camden Peoples’ Theatre London </strong></p>
<p><strong>January 22 – 27 2008</strong></p>
<p>&nbsp;</p>
<p>Full Tilt Theatre Company                          <em>Complex-Electra/Oedipus</em></p>
<p>No Nonsense Theatre                                    <em>Romeo and Juliet</em></p>
<p>&nbsp;</p>
<p>Cosmo Theatre                                           <em>The Woman with the Camera</em></p>
<p>Finger in the Pie                                          <em>Finger in the pie</em></p>
<p>&nbsp;</p>
<p>Adi Lerer                                                        <em>OPEN</em></p>
<p>Aya Nakamura                                             <em>Urashimo Taro</em></p>
<p>&nbsp;</p>
<p>Slowly I Turn                                                 <em>I’m your late Night evening</em></p>
<p>Room for Pudding                                       <em>I Met This Girl</em></p>
<p>&nbsp;</p>
<p>Mollie McClelland                                        <em>Multiple</em></p>
<p>Preface Morn                                                 <em>Beauty in Stone</em></p>
<p>&nbsp;</p>
<p>Rachel Mars                                                 <em>27 Questions I will never ask my grandmother</em></p>
<p>Nat Tarrab                                                     <em>Motherfucker</em></p>
<p>&nbsp;</p>
<p>Hourglass                                                     <em>Hopper’s Women</em></p>
<p>&nbsp;</p>
<p>Theatre Lab                                                  <em>The Monopoly Game</em></p>
<p>&nbsp;</p>
<p>Levantes Dance Theatre                           <em>Gin and Satsumas</em></p>
<p>Fingers                                                         <em>When you cry in space your tears go everywhere</em></p>
<p>&nbsp;</p>
<p>Lost Spectacles                                           <em>Lost in the Wind</em></p>
<p>HamFisted                                                    <em>Waste of Time</em></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Michaela Stonisova                                                 <em>Cabaret Secrets</em></p>
<p>Steffi Sachsenmaier                                               <em>Im-pressions of an-other</em></p>
<p>&nbsp;</p>
<p>Fragmented Ego Theatre Co                                <em>MILF</em></p>
<p>Lazarus Theatre Co                                                <em>Electra</em></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong>GroundWork 5</strong><strong>           </strong></p>
<p><strong>Camden People’s Theatre, London</strong></p>
<p><strong>3 – 8 July 2007 </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p>Novarasa                                                  <em>The Poem Unwritten</em><strong></strong></p>
<p>Vertical Exchange Performance Group    <em>Siren Song</em>                                     </p>
<p>Jumbled  <strong>                                                  </strong><em>Oh, My Green Soap Box</em></p>
<p>Temple                                                      <em>Potato Skins</em></p>
<p>&nbsp;</p>
<p>Desideratum                                             <em>Phaedra</em> by Yannis Ritsos<strong></strong></p>
<p>First Theatre                                              <em>Onwards, Outwards</em>               </p>
<p>Cellar B                                                    <em>Fewer Emergencies</em> by Martin Crimp</p>
<p>SKIPtheatre                                              <em>Fill Up_Full_Stop</em>        </p>
<p>&nbsp;</p>
<p>Drunken Chorus Arts Collective               <em>to be seen:a wonderful horse</em></p>
<p>Small Change Theatre                             <em>Quicksleeve’s Pledge</em>         </p>
<p>Platform<strong> </strong>                                                   <em>End Days</em>                                  </p>
<p>Silversmith Dance Company                    <em>After They Left</em></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>eVolve</strong> 1</p>
<p>30 May – 2 June 2006</p>
<p>&nbsp;</p>
<p>In association with Performance Initiative to give theatre graduates from participating University Theatre Departments an opportunity to platform their work professionally.</p>
<p>&nbsp;</p>
<p>Wednesday 30 May: University of Plymouth</p>
<p><em> </em></p>
<p>Thursday 31 May: De Montfort University</p>
<p>&nbsp;</p>
<p>Friday 1 June: Bath Spa University</p>
<p><em> </em></p>
<p>Saturday 2 June: Brunel University  </p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong>GroundWork4</strong></p>
<p><strong>CPT Camden Peoples’ Theatre London</strong></p>
<p><strong>January 23 – 28 2007</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Theatre Lab                            <em>The Melancholy Death</em></p>
<p>&nbsp;</p>
<p>Precarious Dance                   <em>Druthers (If I Had My)</em></p>
<p><em> </em></p>
<p>Les Landscapes                     <em>Kirati</em></p>
<p><em> </em></p>
<p>Tickle Theatre                        <em>The Dark Side</em></p>
<p>&nbsp;</p>
<p>Fat Head Theatre                   <em>Blue</em></p>
<p>&nbsp;</p>
<p>Point of Departure                 <em>Skolka</em></p>
<p><em> </em></p>
<p>Freefall                                   <em>Game for 4 and Double Bass</em></p>
<p><em> </em></p>
<p>Skin Reach                            <em>Each Starry Night</em></p>
<p>&nbsp;</p>
<p>Organic Theatre                    <em>Sheepskin</em></p>
<p>&nbsp;</p>
<p>Hi-Veld Theatre Co              <em>The Trouble</em></p>
<p><em> </em></p>
<p>Shaky Isles                           <em>Kiwi Slices</em></p>
<p>&nbsp;</p>
<p>L’Homme Silencieux             <em>Scenes of a Massacre</em></p>
<p>&nbsp;</p>
<p><em> </em></p>
<p>&nbsp;</p>
<p><em> </em></p>
<p><strong>GroundWork 3</strong></p>
<p><strong>TheatreTechnis London</strong></p>
<p><strong>11-16 July 2006</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Optik                                  <em>shiver</em></p>
<p>Zephyr in Zanussi             <em>excerpts and inserts </em></p>
<p>&nbsp;</p>
<p> Not Just a Hat Stand         <em>elastic belt</em></p>
<p> three-fortyone dances       <em>lights far out north</em></p>
<p>&nbsp;</p>
<p>Levantes Dance Theatre  <em>Inside old shoes revisited</em></p>
<p> Milk Bottle                         <em>Fantasy terrorist league</em></p>
<p>&nbsp;</p>
<p>Prometheus run                <em>Wrapped bodies</em></p>
<p> ProActive Productions       <em>The bald prima donna</em> by Eugene Ionesco</p>
<p>&nbsp;</p>
<p>l’homme silencieux             <em>Fluvi/ echarcissus/ Goose study</em></p>
<p> AHK Productions                <em>Sweet or dry?</em></p>
<p><em> </em></p>
<p>Festival Conference Event</p>
<p><strong><em>What’s next? Signposting routes for the theatre making graduate.</em></strong></p>
<p>Thursday 13 July</p>
<p>In collaboration with project/arts P.I network presents this research forum that examines programmes and initiatives that assist/develop/support theatre graduates.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Reveal  </strong></p>
<p><strong>Arts Depot London </strong></p>
<p><strong>6 – 8 April 2006      </strong></p>
<p>&nbsp;</p>
<p>cie Nathalie Béasse  <em>Landscape</em></p>
<p> Publick Transport  <em>20,000 Leagues Under The Office</em></p>
<p> theatre trash   <em>typO</em></p>
<p>&nbsp;</p>
<p><strong>GroundWork 2</strong></p>
<p><strong>Hoxton Hall London</strong></p>
<p><strong>21 – 26 February 2006</strong></p>
<p>&nbsp;</p>
<p>Solar Salt   <em>Do I know everything I need to know about this moment?</em></p>
<p> Les Landscapes   <em>Domestic Acrobatics</em></p>
<p>&nbsp;</p>
<p>Ed Stephenson Productions         <em>The Charnwood Sisters</em></p>
<p> Liquid    <em>Forestory</em></p>
<p><em> </em></p>
<p><em><br /></em></p>
<p><strong>GroundWork 1</strong></p>
<p><strong>Theatre Technis London</strong></p>
<p><strong>14 – 24 September 2005</strong></p>
<p><strong> </strong></p>
<p>Hyeon-Jeong Goh Company <br /> The Winter Ensemble <br /> tik tak BOOM <br /> Theatre Trash <br /> Treehouse Theatre Company <br /> Why’rd <br /> Red Motel <br /> Inform Theatre</p>
<p><strong>Festival Events</strong></p>
<p>Debate: &#8216;Performance research and the theatre industry&#8217;</p>
<p>An open forum to discuss what role research plays in the wider public domain, and in particular what potential it has for the future health and development of professional theatre practice.</p>
<p>&nbsp;</p>
<p>Working Session</p>
<p>A day-long event that provides you with a facilitator and a studio space, producing a working environment where you can explore your creative ideas, form new collaborations and explore opportunities.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>About Us</title>
		<link>http://www.scenepool.co.uk/archives/406</link>
		<comments>http://www.scenepool.co.uk/archives/406#comments</comments>
		<pubDate>Mon, 03 Oct 2011 11:10:05 +0000</pubDate>
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		<description><![CDATA[We work with theatre makers of all kinds &#8211; directors, companies, writers, performers &#8211; and at any stage of their practice, from early career  to established artist. Look out for calls with details of performance and project opportunities. ScenePool directors are Barry Edwards and Kerry Irvine]]></description>
			<content:encoded><![CDATA[<p>We work with theatre makers of all kinds &#8211; directors, companies, writers, performers &#8211; and at any stage of their practice, from early career  to established artist.</p>
<p>Look out for calls with details of performance and project opportunities.</p>
<p>ScenePool directors are Barry Edwards and Kerry Irvine</p>
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		<title>Aftercare</title>
		<link>http://www.scenepool.co.uk/archives/385</link>
		<comments>http://www.scenepool.co.uk/archives/385#comments</comments>
		<pubDate>Mon, 03 Oct 2011 10:53:40 +0000</pubDate>
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		<guid isPermaLink="false">http://www.scenepool.co.uk/?p=385</guid>
		<description><![CDATA[After Care by Steve Lambert   Premiere performance. Produced by ScenePool. Camden Peoples’ Theatre London 2009]]></description>
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<h1>After Care</h1>
<p>by Steve Lambert</p>
<h1> </h1>
<p>Premiere performance.</p>
<p>Produced by ScenePool.</p>
<p>Camden Peoples’ Theatre London 2009</p>
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		<title>Toasted</title>
		<link>http://www.scenepool.co.uk/archives/383</link>
		<comments>http://www.scenepool.co.uk/archives/383#comments</comments>
		<pubDate>Mon, 03 Oct 2011 10:53:12 +0000</pubDate>
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		<description><![CDATA[Information Coming soon]]></description>
			<content:encoded><![CDATA[<p>Information Coming soon</p>
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		<title>Up Against</title>
		<link>http://www.scenepool.co.uk/archives/381</link>
		<comments>http://www.scenepool.co.uk/archives/381#comments</comments>
		<pubDate>Mon, 03 Oct 2011 10:52:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Scenepool]]></category>

		<guid isPermaLink="false">http://www.scenepool.co.uk/?p=381</guid>
		<description><![CDATA[A new play by Mark Konik Will and Brodie fell in love and then something fell apart. A journey of love between a man and a woman, played out in three scenes.  An ordinary story with extraordinary emotions; lust,rejection, desire, hate.  Up Against is a play not so much about being in love rather what [...]]]></description>
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<h1>A new play by Mark Konik</h1>
<p><img src="http://www.scenepool.co.uk/sites/default/files/imagecache/half/ScenePool%20pic.JPG_.jpeg" alt="" width="220" height="308" /></p>
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<p>Will and Brodie fell in love and then something fell apart.</p>
<p>A journey of love between a man and a woman, played out in three scenes.  An ordinary story with extraordinary emotions; lust,rejection, desire, hate.</p>
<p> <br />Up Against is a play not so much about being in love rather what it is to fall out of love and live with what remains. <br /> <br />A human story, told with humour, compassion and reflection, a story that will find an echo in all of us.<br /> <br /> <br />Will: Seth Sinclair<br />Brodie: Cassie Laver <br />Directed by Barry Edwards <br />Written by Mark Konik -<br />Mark Konik is an award winning writer from Newcastle, Australia, currently residing in London. He has written plays for both adults and children, which have been produced and published in Australia, New Zealand and the UK.<br /> <br />This play has been commissioned and developed by ScenePool as part of our new writing initiative.</p>
<p><em>Please note use of strong language in this play</em></p>
<p>Photograph:  by Adrian Betts</p>
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		<title>The Loser</title>
		<link>http://www.scenepool.co.uk/archives/379</link>
		<comments>http://www.scenepool.co.uk/archives/379#comments</comments>
		<pubDate>Mon, 03 Oct 2011 10:51:24 +0000</pubDate>
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		<description><![CDATA[A new play by Kim Wiltshire Furniture gone…Fuck!!House taken…Fuck!!Girlfriend gone…Fuck!!£500 in pocket…Result! Take a step into the world of Tom, The Loser, a man who lives for the moment, stuck at the bottom of the heap and looking to be going nowhere. Where money means everything and the pub is the only place to be. This [...]]]></description>
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<p>Furniture gone…Fuck!!<br />House taken…Fuck!!<br />Girlfriend gone…Fuck!!<br />£500 in pocket…Result!<br /> <br />Take a step into the world of Tom, The Loser, a man who lives for the moment, stuck at the bottom of the heap and looking to be going nowhere. Where money means everything and the pub is the only place to be. This new play by Kim Wiltshire shows how a few lucky breaks can make you everything or nothing.<br /> <br /> <br />Tom: Simon Pennicott<br />Mark: John Last<br />Shona:Maria Gray<br />Directed by James Puttock<br /> <br /> <br />Kim Wiltshire<br />Kim is a writer, community artist, lecturer and PhD student who lives in Manchester with her husband, CB. After several years working in theatre and TV, she decided to do an MA in Creative Writing at the Writing School at MMU, which she gained in 2003, going on almost immediately to work (part time) on her PhD in English Literature and Creative Writing, a hybrid study that uses original writing and academic theory to explore contemporary masculinity through the persona of the Loser (<a href="http://www.lancs.ac.uk/fass/projects/writersgallery/content/Kim_Wiltshire.html)">http://www.lancs.ac.uk/fass/projects/writersgallery/content/Kim_Wiltshire.html</a>). In 2007/8 she was mentored by Charlotte Keatley through North West Playwrights to write her first full length play, &#8216;Joy with Child&#8217;, which has had two showcases in Manchester, and is currently working on her second full length play. She has had several short stories published, most recently &#8216;The Rose Seller&#8217; in Migration Stories. She has worked on many community projects since 2003, mostly through Lime Arts and Health (<a href="http://www.limeart.org/">www.limeart.org</a>), and is currently joint lead artist on a Cystic Fibrosis project funded by Children in Need. She is part time Creative Writing lecturer at MMU and an Associate Lecturer for the Open University.</p>
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		<title>Living Canvas</title>
		<link>http://www.scenepool.co.uk/archives/377</link>
		<comments>http://www.scenepool.co.uk/archives/377#comments</comments>
		<pubDate>Mon, 03 Oct 2011 10:50:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[co-productions]]></category>

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		<description><![CDATA[Filskit Theatre invites you to join them on a journey into the private world of four characters. Fleeting images appear and disappear offering a glimpse of true identity in a world of social masks. A feather takes centre stage, tempting and taunting the individuals to reveal something about themselves as it floats on by&#8230;The Living [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.scenepool.co.uk/wp-content/uploads/2011/07/Living-Canvas.jpg"><img class="alignright size-thumbnail wp-image-243" title="Living Canvas" src="http://www.scenepool.co.uk/wp-content/uploads/2011/07/Living-Canvas-150x150.jpg" alt="" width="150" height="150" /></a>Filskit Theatre invites you to join them on a journey into the private world of four characters. Fleeting images appear and disappear offering a glimpse of true identity in a world of social masks. A feather takes centre stage, tempting and taunting the individuals to reveal something about themselves as it floats on by&#8230;<br />The Living Canvas follows a multi-stranded, non-linear journey through the fragments and episodes that build the identities of four individuals. In this piece the company combines physical theatre, original songs and the innovative use of pocket projectors in order to develop a unique style of visual storytelling. &#8220;The Living Canvas Project&#8221; forms part of the company&#8217;s larger investigation into the interaction between the live performer and recorded image.</p>
<p><em>&#8220;They used a technique I have never seen before&#8230; pocket projection&#8230; onto walls, people and backing sheets. This innovative technique sets this company apart from so many others out there.&#8221;</em></p>
<p>Skye Crawford, London Fringe Review, 2009</p>
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		<title>Little Deaths</title>
		<link>http://www.scenepool.co.uk/archives/375</link>
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		<pubDate>Mon, 03 Oct 2011 10:50:09 +0000</pubDate>
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		<description><![CDATA[A new play by Steve Lambert Director: Barry Edwards Alma Theatre Bristol and Upstairs at the Gatehouse London 2010 See Review   &#8216;When I get home, I&#8217;ll undress, look at myself in the mirror, it&#8217;ll be like it never happened.&#8217;  Sam has had a life-changing experience and now she wants more. Paul is not so [...]]]></description>
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<div><strong>A new play by Steve Lambert</strong></div>
<div><strong>Director: Barry Edwards</strong></div>
<div><strong>Alma Theatre Bristol and Upstairs at the Gatehouse London 2010</strong></div>
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<p><a href="http://www.scenepool.co.uk/archives/289">See Review</a></p>
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<div><strong><em>&#8216;</em></strong><strong><em>When I get home, I&#8217;ll undress, look at myself in the mirror, it&#8217;ll be like it never happened.&#8217;</em></strong></div>
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<p> <br />Sam has had a life-changing experience and now she wants more. Paul is not so sure.</p>
<p><img title="Little Deaths 014" src="http://www.scenepool.co.uk/wp-content/uploads/2011/07/Little-Deaths-014-300x200.jpg" alt="" /></p>
<p>The secret lives of a man and a woman meet in a sexually charged encounter that pushes both of them to their limits. <br /> <br />Paul: Samuel Webster<br />Sam: Cassie Laver<br />Directed by Barry Edwards<br />Written by Steve Lambert<br />Produced by ScenePool<br /> <br /> <br />About the writerSteve has had a number of short and full-length plays performed, mainly in Bath and Bristol. In 2009, they have included Max Theatre Company’s production of ‘Welcome’, ‘Sleep With Me’ and ‘Happy Happy Happy’ at the Trinity Centre, Bristol, and Theatre West’s production of ‘Showing</p>
<p><img title="Little Deaths 002-1" src="http://www.scenepool.co.uk/wp-content/uploads/2011/07/Little-Deaths-002-1-300x200.jpg" alt="" width="300" height="200" /></p>
<p> the Monster’ at the Alma Tavern, Bristol. Set in 1968 just after the abolition of stage censorship, the latter earned a five-star rating in Venue magazine, which described it as “brilliant”. Steve, who worked for 30 years in the newspaper industry, is a member of the Head and Tales story-telling group in Bristol.</p>
<p><img title="Little Deaths 012-1" src="http://www.scenepool.co.uk/wp-content/uploads/2011/07/Little-Deaths-012-1-300x200.jpg" alt="" /></p>
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		<title>I Am Woof</title>
		<link>http://www.scenepool.co.uk/archives/373</link>
		<comments>http://www.scenepool.co.uk/archives/373#comments</comments>
		<pubDate>Mon, 03 Oct 2011 10:49:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[Robert Taylor presents I am Woof An exploration of the extreme emotions attached to war, and the difficulty of articulating them. The play is based on verbatim text taken from three interviews with soldiers at different points in their service, and documents how these men react to the realisation of both going to Afghanistan and [...]]]></description>
			<content:encoded><![CDATA[<p>Robert Taylor presents I am Woof</p>
<p>An exploration of the extreme emotions attached to war, and the difficulty of articulating them. The play is based on verbatim text taken from three interviews with soldiers at different points in their service, and documents how these men react to the realisation of both going to Afghanistan and reintegration into the everyday upon their return.</p>
<p><img title="I am woof 02" src="http://www.scenepool.co.uk/wp-content/uploads/2011/07/I-am-woof-02-212x300.jpg" alt="" /></p>
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		<title>Bloody Women</title>
		<link>http://www.scenepool.co.uk/archives/371</link>
		<comments>http://www.scenepool.co.uk/archives/371#comments</comments>
		<pubDate>Mon, 03 Oct 2011 10:48:46 +0000</pubDate>
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		<guid isPermaLink="false">http://www.scenepool.co.uk/?p=371</guid>
		<description><![CDATA[Susurrus in collaboration with ScenePool ”Imagine a time and land where women ruled supreme.Everything was as it should have been.Everything was as it had been. Before the rivers filled with blood. Nobody knows what’s true but we have the stories.” A story about women of ancient myth. They’re fighters, leaders and lovers and everything is as it should [...]]]></description>
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<p><em>”Imagine a time and land where women ruled supreme.<br />Everything was as it should have been.<br />Everything was as it had been. <br />Before the rivers filled with blood. <br />Nobody knows what’s true but we have the stories.”</em><br /> <br />A story about women of ancient myth. They’re fighters, leaders and lovers and everything is as it should be, until the pup arrives. Bloody Women is a one-woman show populated by sexually depraved goddesses and one spectacular bull.<br /> <br />As Susurrus I want to re-explore storytelling, without set or props or spectacle, just a voice, some characters and an audience’s imagination creates the simplest and most magical theatre.<br /> <br /><a href="http://www.spotlight.com/interactive/cv/1575-1208-4504">Emer O Connor</a> trained at ALRA and besides TV and theatre credits has a special interest in devised storytelling; her devised show with Jo Hammett Looking Forward to Friday (based on office jobs, line dancing and fairy tales)was performed guerilla-style in various offices and went to Coventry’s Pilot Festival in 2004. 2008 was spent creating Bridge of Leaps with Maggie Grace and Claire Mallet, a mix of traditional storytelling with music and physical theatre (premiered at The Space’s Enterprise 08 Festival). Last year Emer also collaborated with performer Melissa D’Arcy and writer Debbie Kent creating Wild Woods (shown at the ScenePool Festival in Camden People’s Theatre) which explored the escape routes of women trapped by circumstance and invited the audience to come with them on a journey through the primeval forest of the imagination.</p>
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